WAITING FOR MY COMPUTER!!

I've had a loaner computer from SCAD since the end of Spring Quarter. My hard drive crashed.

I have an older MacBook Pro here and it's not got a whole bunch of software on it that I was determined to work with over the summer. So, I'm just biding my time.

I DO want to learn to paint in Photoshop, but also in Painter. I haven't got Painter on this one.

But, in the mean time, I got a book on digital painting in Photoshop and started messing around on a drawing that I did in Paris in the spring of 2011. Here's the results so far (far from finished.)

So, it's okay so far. A bit more Impressionistic than I hoped, but I won't fight that.

I've got to set this aside and work on some story pages next week. I'm going to have to tell you all about those later.

HEROES CON was AWESOME, by the way. Come next year if you didn't make it this year. SCAD's Sequential Workshops were worth the price of admission.

Take care.

HEROES CON!!

Hi all-
I'll be at HEROES CON this year for the first time in three years. I missed 2010 because of eye surgery (no, not lasik.) I missed 2011 because of Sue's MFA graduation. So, I'll be on hand this year.

I'm still working on sorting out what to do for my style of finishes, but I'm about to change again. I'm still trying stuff. I tried a single weight "brush" that had no thick or thin (my face ... yet again) and ignored the night time for now thinking of tones or colors for the future. And then I tried a more traditional style with a thicker brush so that I can't get all detailed. I'm "keeping it simple, stupid."

Feedback?? This is the all one weight line drawing.

I want to figure this stuff out. It may be that I take a student's advice: "Just draw it and by page 100 you'll have it all figured out."

So true.

Wisdom from others. It happens sometimes!

Tom

INKS! (Well, Digital Inks!)

There's something really cool and really "off" about working digitally. I miss the feeling of the paper. I am still working out how to "see" the correct size so that I don't zoom in and do too much rendering. Also, I'm working on layers to accommodate whatever means of "toning" or "coloring" that I head towards. So, there's a foreground, midground and background layer on every page.

This is page six in progress. I started on page three.  I'm still working on being messier with my line work. I can't help myself. I try to clean up my lines too much.

I have been looking at some line illustrations by Frank Godwin as an influence for some looser line work and it's been a bit of a help.

I think the tones or colors will make or break these pages. As usual, I'm proud of and confident in my storytelling, but I'm always working on my "finished" look.

Feedback would be appreciated. Where am I making good changes? Where am I not changing enough? Where am I making bad changes?

Your opinions, please.

Thanks-   Tom

OPTIONS!!

Hi-
I'm going to go with the newer inking style even though there were some people voting for the older one. I'm okay with that.

HOWEVER ... I'd sure love your feedback on three options for the book:
1) All black with gray tones
2) Black line art with sepia tones and sepia half tones
3) Black line art with a shade of blue for tone and blue half tones

Any of these float your boat more than the other?

I'm listening. I SWEAR!

Here they all are!
I need feedback and discussion.

Tom

Before I Go Any Farther...

Here's two versions of the same three panels on Page Three of the graphic novel. I'm bored with Tom Lyle, so the first version is very traditional (and a bit heavy-handed) work by myself over my pencils.

It's serviceable, but I'm just not feeling any real "guts" to this style. It seems safe.

So, in class on Thursday I started trying some other things. My fellow classmate (odd to say that, since he's also a former student and teaching assistant) Phillip Sevy and I talked quite a bit about options that are different, but not TOO different.


Thus, the next version.


It's done with a much smaller "brush" and a scruffier rendering style that I think adds some energy to the piece.

Am I correct? Am I nuts? Did I not push far enough?

Let me know what you think.

I'm really trying to do something a bit different.

Now, just to tell you: gray tones will be added to this page eventually, so the pages are "inked" on layers and some of the background will be all dot screen.

It looks kind of cool. I'm also going to make all of the gray tones (when they get converted to halftone screens) into a sepia tone and the original foreground elements will stay black.

I have a very rough sample of what that might look like here.

This was done using the older version of the "inks", so it would be different on the final.

Also, on panel one I did NOT finish doing the layers that I wanted, so it would NOT be all sepia after the branch in the foreground.

I only took two hours to produce this. It's an exercise for class and it DID convince me that I should seriously consider making this a two-color project. It could work.

FEEDBACK???

Don't hold back (but don't be mean.)




Tom

Last four Thumbnail pages for now!

I've thumbnailed the first 20 pages of my story, but it's time to do some finished art, so here are the next four pages (and last I'll post of the thumbs) for your perusal. We're setting up the hike and the event that is the catalyst for everything that happens. Let me know what you think.

I spent about 2 to 3 hours (or more) on each page. They're more like loose tight roughs, but I wanted to be very clear where I was heading,

I'm having fun working with my writer ... ME!
He listens to all my suggestions and agrees with most of them.

What a guy!


Tom

These are THUMBNAILS

Hi-
I wanted to make it clear that the pages I am posting are just thumbnails at this point. I am not trying to get faces correct or totally get the bodies correct. It's just setting up the story.

I am hoping to start some finished pencils next week.

I'm attaching pages 2 and three to this post. On page 2, the flashback story ends and then we come back to the present day and it is a scene around the campfire where I have just told this story.

By the way, my class did a critique of all of my pages on Tuesday and it was really hard for them to try and criticize my work. So I started it for them. After that, all went well.

Let me know what you think.

Tom